【midjourney每日分享-赴一场山野之约】
村落、故事、烟火气～
慢下来看世界，行走在山野万里～
重点词汇
点彩精确和点状的笔法 Precise and punctate brushstrokes
笔触田野 Brushstrokes in the fields
彩色像素艺术 Color Pixel Art
刺绣艺术 Embroidery Art
示例
On the left is the yellow rapeseed flower field, different size distribution, regular composition, rapeseed flower terraces fill the canvas, on the lower right is the village, poetic pastoral terrace landscape, pointe precise and dotted brushwork, style by brushwork field, gold art, Neil welliver style, color pixel art, embroidery art, yellow, bright colors, Bengali art school,Pixel art, peach blossom, multi-level, romantic realism,
--ar 3:4 --s 300
咒语描述思路：
主体描述 + 场景描述 + 风格描述 + 基础描述
#阿多比设计##midjourney##AI绘画[超话]##插画##山野#
村落、故事、烟火气～
慢下来看世界，行走在山野万里～
重点词汇
点彩精确和点状的笔法 Precise and punctate brushstrokes
笔触田野 Brushstrokes in the fields
彩色像素艺术 Color Pixel Art
刺绣艺术 Embroidery Art
示例
On the left is the yellow rapeseed flower field, different size distribution, regular composition, rapeseed flower terraces fill the canvas, on the lower right is the village, poetic pastoral terrace landscape, pointe precise and dotted brushwork, style by brushwork field, gold art, Neil welliver style, color pixel art, embroidery art, yellow, bright colors, Bengali art school,Pixel art, peach blossom, multi-level, romantic realism,
--ar 3:4 --s 300
咒语描述思路：
主体描述 + 场景描述 + 风格描述 + 基础描述
#阿多比设计##midjourney##AI绘画[超话]##插画##山野#
SIMULACRA 拟像将于2024年2月24日带来魏子翔（Zixiang WEI）个展「4479」。在本次展览中，艺术家将画面整体以及画廊视作一整个有机体或生态，将呈现一系列有各自“尺度”，“时间”，“重力”及 “坐标” 的不具名绘画作品。“4479”不是待破译的密码, 作品中的图示也不必要被阐释，笔触便是语法，画面既语言。魏子翔认为看似有助于对画面理解的描述和形容，作品名称及其携带的书名号会在某种程度上限制作品的生命力，给予观众一条理解路径的同时，也让观众失去了无限“误读”的可能性。
SIMULACRA is pleased to present「4479」, a solo show by Chinese artist Zixiang WEI, on February 24th. In this exhibition, the artist regards both the overall composition and the gallery itself as a single organism or ecosystem, presenting a series of unnamed paintings, each with its own "scale", "time", "gravity", and "coordinates". "4479" is not a code to decipher, and the symbols in the works do not require interpretation; brushstrokes serve as grammar, and the images become the language. Zixiang WEI believes that descriptions and titles seemingly helpful for understanding the paintings will, to some extent, limit the vitality of the works, providing the audience with a path of understanding while also depriving them of the possibility of infinite "misinterpretation".
#遇见艺术##艺术档案##艺术展览##艺术收藏##艺术分享##绘画##当代艺术##artdisk##北京看展##北京·SIMULACRA[地点]#
SIMULACRA is pleased to present「4479」, a solo show by Chinese artist Zixiang WEI, on February 24th. In this exhibition, the artist regards both the overall composition and the gallery itself as a single organism or ecosystem, presenting a series of unnamed paintings, each with its own "scale", "time", "gravity", and "coordinates". "4479" is not a code to decipher, and the symbols in the works do not require interpretation; brushstrokes serve as grammar, and the images become the language. Zixiang WEI believes that descriptions and titles seemingly helpful for understanding the paintings will, to some extent, limit the vitality of the works, providing the audience with a path of understanding while also depriving them of the possibility of infinite "misinterpretation".
#遇见艺术##艺术档案##艺术展览##艺术收藏##艺术分享##绘画##当代艺术##artdisk##北京看展##北京·SIMULACRA[地点]#
梵高的画（4）
在梵高的时代，写实主义的绘画作品是标准。然而，受现代艺术家的影响，梵高经常用颜色和形状来创作作品，反映他的感情和思想。
《日出时的麦田》，1889年。私人收藏。
In Van Gogh's time, realistically painted works were the norm. However, influenced by modern artists, Van Gogh often created works with colours and shapes that mirrored his feelings and thoughts.
‘Wheat field at sunrise’, 1889. Private collection.
在梵高的时代，写实主义的绘画作品是标准。然而，受现代艺术家的影响，梵高经常用颜色和形状来创作作品，反映他的感情和思想。
《日出时的麦田》，1889年。私人收藏。
In Van Gogh's time, realistically painted works were the norm. However, influenced by modern artists, Van Gogh often created works with colours and shapes that mirrored his feelings and thoughts.
‘Wheat field at sunrise’, 1889. Private collection.
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