TrendForce集邦咨询最新《金级+会员市场报告：全球LED产业数据库与LED厂商季度更新》资料显示，受到终端市场需求疲弱、LED库存去化缓慢、市场价格竞争等众多因素，导致2023年LED市场产值下降至126.08亿美金。
展望2024年市场需求，车用照明与显示、照明 (一般照明、建筑照明、农业照明)、 LED显示屏、紫外线/红外线LED等市场需求将有机会逐步回温。除此之外，Micro LED技术虽然发展不如预期，却也成功导入至大型显示 (三星) 与手表 (Tag Heuer) ，带领走向Micro LED商业化阶段。整体而言，2024年LED市场产值有望成长至130.03亿美金 (+3% YoY)。其中，Micro/Mini LED自发光显示、紫外线/红外线LED、LED显示屏、车用照明与显示、农业照明将有机会超过平均成长率。
TrendForce重点整理市场潜力成长应用：
穿戴式装置：原定2026年问世的Micro LED版本的Apple Watch，近期因为该项目的取消终止，对于Micro LED技术运用在穿戴手表的市场期待，绝对是难以忽略的重创。在这一逆风之下，少数供应商例如面板大厂如友达已有小规模产品出货予Tag Heuer，却也依然无法逆转Micro LED穿戴式装置市场在行进之路受到的阻碍。
大型显示：Micro LED大型显示制程和工艺的良率难达发展预期，具体表现在成本居高不下和实际出货量仍维持在百台级。芯片微缩化是Micro LED降本的一大标志性指标，然而从目前市场来看，考量芯片效率与转移良率等诸多影响生产环节的关键，大尺寸显示上芯片尺寸缩小的进展并未十分明朗下，这也将同步放慢降本的速度。
车用显示：考量驾驶需求，运用具备高亮度、高对比、广色域、反应速度快等特点的Micro LED技术，融入异型、曲面、可挠式、触觉反馈等智慧座舱一体化车用显示器解决方案，全面升级驾驶的使用体验。根据 TrendForce调查，旋钮 (Knob) 采用Micro LED技术，应用于阅读灯/旋钮按键，将有机会导入于欧洲车厂。欧美日系车厂计划导入Micro LED透明显示屏。根据TrendForce调查，车厂对于Micro LED抬头显示器要求须达到穿透率≥70%与曲面设计。随着技术与产品价格渐趋成熟，预期将于2026-2027年Micro LED透明显示屏导入车用市场，做为扩增实境抬头显示器 (AR-HUD) 或是车窗显示之用。
TrendForce调查， Mini LED(COB)显示屏市场需求快速成长，主要显示屏厂商包含三星、LG Electronics、利亚德、洲明、艾比森等。
展望2024年车市表现，在新能源车出货成长下，预期2024年全球乘用车与物流车市销量仍有望微幅成长2-3%。自适应性头灯 (ADB Headlight)、Mini LED尾灯、贯穿式尾灯 (Full-Width Taillight)、(智能)氛围灯、Mini LED背光显示等先进技术持续推进下，也持续面临车市价格竞争进而影响车用LED产品价格，2024年车用LED市场规模有望成长至34.45亿美金。
因应高功率杀菌净化市场要求，UV-C LED厂商持续推出≥80mW单晶高功率与UV-C COB LED集成化封装，且预期2H24-2026将有机会再次导入至家电与动态水杀菌市场应用，除此之外，华为问界 (AITO) 采用UV-C LED空气杀菌，订单期间为2023-2025年，也将有机会带动其他车厂导入车用空气杀菌应用。长期而言，相较于UV灯管 (UV Lamp)，UV LED具有较长的产品寿命与简易光学设计，Nichia、Seoul Viosys、Violumas、奥特维 (UVT) 等厂商推出完整UV-A / B / C LED产品线，以期以完整波长解决方案，进而满足替代UV灯管 (UV Lamp) 客户需求。
展望2024年，中东欧 (捷克、波兰)地区受惠于在植物照明产品 (成品) 降价，整体植物工厂方案更具有较高的投资回报率 (Return on Investment; ROI) 之后，呈现了较为强劲的需求。除此之外，在亚洲高纬度与北欧地区对建设投资植物照明种植蔬果与牧草，以改善漫长冬天对食品供应的不利影响。上述因素有望带动2024年植物照明LED市场产值成长。
以上分析数据皆出自TrendForce集邦咨询最新《金级+会员市场报告：全球LED产业数据库与LED厂商季度更新》。以下是报告目录。
展望2024年市场需求，车用照明与显示、照明 (一般照明、建筑照明、农业照明)、 LED显示屏、紫外线/红外线LED等市场需求将有机会逐步回温。除此之外，Micro LED技术虽然发展不如预期，却也成功导入至大型显示 (三星) 与手表 (Tag Heuer) ，带领走向Micro LED商业化阶段。整体而言，2024年LED市场产值有望成长至130.03亿美金 (+3% YoY)。其中，Micro/Mini LED自发光显示、紫外线/红外线LED、LED显示屏、车用照明与显示、农业照明将有机会超过平均成长率。
TrendForce重点整理市场潜力成长应用：
穿戴式装置：原定2026年问世的Micro LED版本的Apple Watch，近期因为该项目的取消终止，对于Micro LED技术运用在穿戴手表的市场期待，绝对是难以忽略的重创。在这一逆风之下，少数供应商例如面板大厂如友达已有小规模产品出货予Tag Heuer，却也依然无法逆转Micro LED穿戴式装置市场在行进之路受到的阻碍。
大型显示：Micro LED大型显示制程和工艺的良率难达发展预期，具体表现在成本居高不下和实际出货量仍维持在百台级。芯片微缩化是Micro LED降本的一大标志性指标，然而从目前市场来看，考量芯片效率与转移良率等诸多影响生产环节的关键，大尺寸显示上芯片尺寸缩小的进展并未十分明朗下，这也将同步放慢降本的速度。
车用显示：考量驾驶需求，运用具备高亮度、高对比、广色域、反应速度快等特点的Micro LED技术，融入异型、曲面、可挠式、触觉反馈等智慧座舱一体化车用显示器解决方案，全面升级驾驶的使用体验。根据 TrendForce调查，旋钮 (Knob) 采用Micro LED技术，应用于阅读灯/旋钮按键，将有机会导入于欧洲车厂。欧美日系车厂计划导入Micro LED透明显示屏。根据TrendForce调查，车厂对于Micro LED抬头显示器要求须达到穿透率≥70%与曲面设计。随着技术与产品价格渐趋成熟，预期将于2026-2027年Micro LED透明显示屏导入车用市场，做为扩增实境抬头显示器 (AR-HUD) 或是车窗显示之用。
TrendForce调查， Mini LED(COB)显示屏市场需求快速成长，主要显示屏厂商包含三星、LG Electronics、利亚德、洲明、艾比森等。
展望2024年车市表现，在新能源车出货成长下，预期2024年全球乘用车与物流车市销量仍有望微幅成长2-3%。自适应性头灯 (ADB Headlight)、Mini LED尾灯、贯穿式尾灯 (Full-Width Taillight)、(智能)氛围灯、Mini LED背光显示等先进技术持续推进下，也持续面临车市价格竞争进而影响车用LED产品价格，2024年车用LED市场规模有望成长至34.45亿美金。
因应高功率杀菌净化市场要求，UV-C LED厂商持续推出≥80mW单晶高功率与UV-C COB LED集成化封装，且预期2H24-2026将有机会再次导入至家电与动态水杀菌市场应用，除此之外，华为问界 (AITO) 采用UV-C LED空气杀菌，订单期间为2023-2025年，也将有机会带动其他车厂导入车用空气杀菌应用。长期而言，相较于UV灯管 (UV Lamp)，UV LED具有较长的产品寿命与简易光学设计，Nichia、Seoul Viosys、Violumas、奥特维 (UVT) 等厂商推出完整UV-A / B / C LED产品线，以期以完整波长解决方案，进而满足替代UV灯管 (UV Lamp) 客户需求。
展望2024年，中东欧 (捷克、波兰)地区受惠于在植物照明产品 (成品) 降价，整体植物工厂方案更具有较高的投资回报率 (Return on Investment; ROI) 之后，呈现了较为强劲的需求。除此之外，在亚洲高纬度与北欧地区对建设投资植物照明种植蔬果与牧草，以改善漫长冬天对食品供应的不利影响。上述因素有望带动2024年植物照明LED市场产值成长。
以上分析数据皆出自TrendForce集邦咨询最新《金级+会员市场报告：全球LED产业数据库与LED厂商季度更新》。以下是报告目录。
莲拍类人猿行动的时候跟家人住，和特工寄宿在乔装家庭里的背景有点像。
赞美剧组细致的历史布景。（cue到盗梦空间那杯冰水，糯的神奇装置）
Sean从材料整理到亲身拍摄都做了很扎实的工作，地下室那段俨然也是战友的一员。
曾经在布拉格酒馆里浪掷青春，为了拍严肃题材必须放下实际生活的经历，从头体验jozef的旅程。
最后说差旅愿意选择可以自炊的公寓，当然，有热水WiFi的话已经足够。
What was the best movie prop you’ve gotten to take home?
On Anthropoid, actually, I took home one of the beautiful old Persian rugs that was in the apartment set. Maybe it’s Moroccan . . . Whatever it is, it’s lovely.
You’ve said that Sean Ellis was the most visually specific director you’ve ever worked with. Did that help you as an actor?
It was very stimulating, really, because he was shooting with a handheld camera over his shoulder, so he would talk to you and then go back in. Everything that Jamie and I went though, Sean was right there behind us, even for the battle at the end of the movie in the crypt. There was a sense that we were all in it together.
The family apartment where you and Jamie Dornan are hidden in the movie was replicated, down to the hallway tile, from the real location. Sean pays a huge amount of attention to detail. He’s like a polymath. He wrote the movie, directed it, shot it, and was all over everything from costume to hair to makeup. You feel safe as an actor. And, as an actor, if you can’t feel safe, you can’t make a fool of yourself.
The way they re-created the interior of the cathedral is unbelievable. Had you ever been on a set that was remade so perfectly?
No. We went to the real church, too, and you could see the bullet holes and where the grenades went off. And the re-creation, to scale, at Barrandov Studios was breathtaking. It was magnificent, and I’ve never seen that done before—generally, a crew might rebuild a little bit here and a little bit there, but to feel the scale of it was incredible.
Aside from this film, what was the best-designed set you’ve ever worked on?
I remember my first day on the set of Inception with Christopher Nolan. There was a scene with Leonardo DiCaprio and we’re at a bar, and I don’t know that I’m dreaming, but I’m dreaming, and reality is altered. We have two glasses of water, and there’s a shot where the water tilts. In order to get that shot, he tilted the whole set. He built the set on hydraulics and tilted it when we did the scene. So I think that’s one of the most impressive. He’s a very unique filmmaker in that he doesn’t rely on CGI.
Did you get any time to enjoy Prague?
I’d been there once before in my foolish, misspent youth and drank a lot of beer. But when you’re working on a film as immersive as this, you kind of have to cancel reality. My family came over and they enjoyed it, but for me it was pretty much work exclusively.
When you travel for work, do you mostly stay in hotels?
I generally prefer apartments because you can cook for yourself. But as long as it’s clean and there’s hot water and Wi-Fi, I’m happy.
https://t.cn/A6TUWzEX
赞美剧组细致的历史布景。（cue到盗梦空间那杯冰水，糯的神奇装置）
Sean从材料整理到亲身拍摄都做了很扎实的工作，地下室那段俨然也是战友的一员。
曾经在布拉格酒馆里浪掷青春，为了拍严肃题材必须放下实际生活的经历，从头体验jozef的旅程。
最后说差旅愿意选择可以自炊的公寓，当然，有热水WiFi的话已经足够。
What was the best movie prop you’ve gotten to take home?
On Anthropoid, actually, I took home one of the beautiful old Persian rugs that was in the apartment set. Maybe it’s Moroccan . . . Whatever it is, it’s lovely.
You’ve said that Sean Ellis was the most visually specific director you’ve ever worked with. Did that help you as an actor?
It was very stimulating, really, because he was shooting with a handheld camera over his shoulder, so he would talk to you and then go back in. Everything that Jamie and I went though, Sean was right there behind us, even for the battle at the end of the movie in the crypt. There was a sense that we were all in it together.
The family apartment where you and Jamie Dornan are hidden in the movie was replicated, down to the hallway tile, from the real location. Sean pays a huge amount of attention to detail. He’s like a polymath. He wrote the movie, directed it, shot it, and was all over everything from costume to hair to makeup. You feel safe as an actor. And, as an actor, if you can’t feel safe, you can’t make a fool of yourself.
The way they re-created the interior of the cathedral is unbelievable. Had you ever been on a set that was remade so perfectly?
No. We went to the real church, too, and you could see the bullet holes and where the grenades went off. And the re-creation, to scale, at Barrandov Studios was breathtaking. It was magnificent, and I’ve never seen that done before—generally, a crew might rebuild a little bit here and a little bit there, but to feel the scale of it was incredible.
Aside from this film, what was the best-designed set you’ve ever worked on?
I remember my first day on the set of Inception with Christopher Nolan. There was a scene with Leonardo DiCaprio and we’re at a bar, and I don’t know that I’m dreaming, but I’m dreaming, and reality is altered. We have two glasses of water, and there’s a shot where the water tilts. In order to get that shot, he tilted the whole set. He built the set on hydraulics and tilted it when we did the scene. So I think that’s one of the most impressive. He’s a very unique filmmaker in that he doesn’t rely on CGI.
Did you get any time to enjoy Prague?
I’d been there once before in my foolish, misspent youth and drank a lot of beer. But when you’re working on a film as immersive as this, you kind of have to cancel reality. My family came over and they enjoyed it, but for me it was pretty much work exclusively.
When you travel for work, do you mostly stay in hotels?
I generally prefer apartments because you can cook for yourself. But as long as it’s clean and there’s hot water and Wi-Fi, I’m happy.
https://t.cn/A6TUWzEX
Ic forsoð ne wat hwæt thæs lif is gemyndig, ælce dæge biþ onwendende weorc, modsefa swiþe hefig, ne wat hu to wiþmetan þæm æmtigum, ne þinceþ nan þing mæg mec bliþe maken, swiþe geomor. Ic willian eft to gewendan, oþþe þam ealdan dagum on Engla lande, æt læstan wæs swiþe glæd, swiþe blisful.
Hwæt, þu eac onfindan mæg þone ylcan, gif swa is, bidde ic þe secge me.
Hwæt, þu eac onfindan mæg þone ylcan, gif swa is, bidde ic þe secge me.
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