Les Désastreuses Conséquences de la chute d'une goutte de pluie一滴水的灾难结局

一位艺术爱好者，一位年轻的画家，一个樱桃采集者，一个爱嫉妒的小女孩，还有他心烦意乱的父亲，一只松鼠，一只狗和一只鸟，他们的一天是如何被一滴雨滴弄得心烦意乱的。

画家简介：Adrien Parlange 1983年出生于奥弗涅，目前居住在斯特拉斯堡。他在巴黎地区长大，在巴黎的奥利维尔-德-塞雷斯学校(Olivier-de-Serres)学平面设计。在广告业工作后，他回到插画行业，参加了斯特拉斯堡艺术学院(HEAR)和伦敦皇家艺术学院(Royal College Of Art)。自2009年以来，他是儿童书籍的作者和插画家，经常与杂志和报纸合作。他的著作《狮子的香榭丽舍》和《鲁班》(阿尔宾·米歇尔·朱内斯)获得了博洛尼亚·拉加齐奖提名，而《鲁班》也在2017年获得了陈伯吹国际儿童文学奖。绘本《黄色丝带》是2019年巴黎童书奖获奖作品。

#绘本# 可预订，这一本印量只有2500本

You always said that you are alone.
You only had your own back.

Now it comes ture.
You can't have a relationship with anyone.
You can't tell the truth to anyone because it won't change anyway and it is such a damn terrible story.
Nobody can pull you out.
Now you are really alone.

But you can't tell because no one wants to hear the real sad story.
Even your life has been really f*ked up.

You need to focus on anything else or you will be drowning in the sadness.
LIVE OR DIE ？
There is no such a choice for me.
I just live on when i am not dead yet.

#英语精读##Early cinema2#
These Kinetoscope arcades were modeled on phonograph parlors, which had proven successful for Edison several years earlier. In the phonograph parlors, customers listened to recordings through individual ear tubes, moving from one machine to the next to hear different recorded speeches or pieces of music. The Kinetoscope parlors functioned in a similar way. Edison was more interested in the sale of Kinetoscopes (for roughly $1,000 apiece) to these parlors than in the films that would be run in them (which cost approximately $10 to $15 each). He refused to develop projection technology, reasoning that if he made and sold projectors, then exhibitors would purchase only one machine-a projector-from him instead of several.